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    • BAY AREA NEWS GROUP: Contra Costa Times, Oakland Tribune, San Jose Mercury News >
      • Ridwell recycles
      • Piedmont author Zapruder’s memior
      • Alameda’s Bay Area Music Program
      • Alameda filmfest features 'Jack has a Plan'
      • United Dumplings in Rockridge
      • Tech pioneer Roy Clay, Sr.
      • Author/poet Tess Taylor
      • Montclair safety ambassador program
      • Montclair’s Italian Colors restaurant
      • Author Orenstein's 'Unraveling'
      • Author Rue Mapp's 'Nature Swagger'
      • Oakland’s Montclair Library
      • Montclair gym CRUfit
      • Chabot space center’s creative director
      • Friends of the Pleasant Hill Library
      • Artist Stephanie Syjuco at BAMPFA
      • Veterans Day at USS Hornet
      • Piedmont Anti-Racism and Diversity Committee
      • Year-round Oktoberfest on Piedmont Ave
      • Author Pete Torrey's memior
      • El Cerrito’s new fire chief
      • Blind sculptor at Valley Art Gallery
      • Montclair's GGPBooks hosts author T J Reid
      • Acre Restaurant to open in Rockridge
      • 1619 Project creator Hannah-Jones at Lesher
      • AXIS Dance's ‘Adelante’
      • Lawton Dance's 'Farallonites'
      • Oakland Firesafe Council
      • Author Sexton's 'On the Rooftop'
      • Alameda musician Paul Kotapish
      • Planterday in Rockridge
      • Author Dabney’s ‘Year of the Plague Journal’
      • Montclair Beer, Wine & Music Fest '22
      • Cal's Alt Meat Lab
      • Rockridge Rock-N-Stroll fest
      • N. Oakland’s ‘Daughters of the Delta’
      • Oakland Fukuoka Sister City marks 60th
      • Head-Royce's robotics team competes
      • Bancroft Garden celebrating 50th
      • ‘Diet for a Small Planet’
      • Montclair train mural
      • Montclair actor in ‘Endlings’
      • USS Hornet: gala and Vietnam Vets
      • Dance: 'Voice Within'
      • Author Stokes' 'Remember Me Gone'
      • Crogan's celebrates St. Patrick's Day
      • Oakland’s Temescal park dispute
      • Maria Shriver at East Bay Women’s Conference
      • Oakland’s White Elephant Sale 2022
      • ​Alameda’s Time Released Sound
      • Oakland developer ‘Buzz’ Gibb
      • Contra Costa MLK ceremony
      • Oakland’s Pacific Boychoir Academy
      • Richmond zydeco accordionist Andre Thierry
      • Alameda’s Alley & Vine
      • Montclair Village Holiday Stroll
      • Ellie Koplan's 100 years
      • Lesher's Denison retires
      • Bringing up butterflies in Richmond
      • Chabot space center reopening
      • Burning Man art in Richmond
      • Architect/glass artist Winterich
      • CCCT's 'Our Town'
      • WC Lib talk "Broadway's Golden Age'
      • Piedmont Beautification Foundation
      • Richmond's Urban Tilth
      • Alameda's Chochenyo Park art installation
      • Alameda Comedy Club curing Covid
      • Arjan Flowers and Herbs
      • Piedmont Avenue’s Timeless Coffee
      • Piedmont’s League of Women Voters
      • Eyes In Sync
      • Oakland's Mountain Music
      • Montclair mural
      • First female Eagle Scout
      • 13 yr old valedictorian
      • Books for the Barrios
      • WC Bronco Baseball Academy
      • Women's Cancer Resource Cntr during Covid
      • Bay Area Book Festival
      • Oakland's '21 White Elephant Sale
      • Walnut Creek Chamber's new Pres.
      • Great Good Place for Books during Covid
      • East Bay Women's Conf. 2021
      • Artist Ezawa at Haines Gallery
      • Artist Lift Off project
      • ‘Deconstruction’ at Perlmutter Gallery
      • El Sobrante food-justice community center
      • Urban Park CleanUp
      • Photographer Collopy at Laf Lib
      • Oakland Symphony's Morgan on 2020
      • Piedmont church interim pastor
      • BAMPFA's new quilt curator
      • Non profit adapts to pandemic
      • Oakland photographer Andrew Paynter
      • Author Virginia Cowart
      • Piedmont Center for the Arts during covid
      • Pacific Edge Voices' new director
      • Alamo’s Luxe Hair during Covid
      • BAMPFA's new Film Archive Director
      • Hercules Cares
      • Bay Area Children's Theater adapts
      • Garden of Memory
      • Oakland's womens choir Kitka
      • USS Hornet will survive shutdown
      • East Bay Golf courses in demand
      • Worship during shutdown
      • Guitarist Stevie Coyle performs online
      • 'Grit' theme at 2020 EBWC
      • Piedmont’s Kehilla Temple
      • Oakland’s House/Full of BlackWomen
      • Wendy Burch Steel & Redwood in Berkeley
      • El Cerrito HS teacher Taylor passes
      • Dr. Christine Carter's 'New Adolescence'
      • "Elemental' at PCA
      • Carrie Lederer leaving Bedford
      • Youth vaping seminar
      • Berkeley Open Studios
      • DeSaulnier town hall
      • 'Elevada' at Shotgun
      • Singer-songwriter Natu Camara at Cal Perf
      • Lafayette Lib celebrates
      • UC BAMPFA’s chief Rinder
      • Poet Matthew Zapruder
      • Live @ the Library
      • ARM of Care
      • East Bay museums get out
      • El Sobrante's Soul Flower farm
      • Author Meredith May's 'Honey Bus'
      • Guns into Sculpture
      • Author Mary Ellen Butler
      • Authenticity at USS Hornet
      • 2019 Heart of the Home Tour
      • Joyce Carol Oates in Lafayette
      • Author Matt Richtel's 'Elegant Defense'
      • Esme Weijun Wang's 'Schiziophrenias"
      • Mimi Fox celebrating life
      • Author Devi Laskar's 'Atlas'
      • Pleasant Hill golfer John Scott Senz
      • Walnut Creek United Methodist anniversary
      • Author Markham on migrant students' needs
      • 'Altered States' at Bedford
      • Filmmaker Jafa's 'White Album'
      • Montclair's restaurant renaissance
      • Author Newhouse's 'Incredible Slip Madigan'
      • Author Adam Plantinga
      • Bedford Craft Fest
      • Author John Jay Osborne
      • Learning via PORTS in Alameda
      • 'Tastes Like Chicken"
      • Owen's 'Other People's Love Affairs'
      • YBCA's 'Bay Area Now' exhibit
      • El Cerrito's surveillance cameras
      • Author Lydia Kiesling's 'The Golden State'
      • Author Gortner's 'The Romanov Empress'
      • Paula West at Summer Jazz Fest
      • State teachers summit in Moraga
      • 'Raised in the Shadow of the Bomb'
      • Author Meredith Jaeger's 'Boardwalk Summer'
      • Photographer Peter Hujar
      • Michael Pollan turned on
      • Teller's "All the Ever Afters"
      • St. Mary's golf team
      • Author Peter Rubin's 'Future Presence'
      • Bay Point mural
      • Chen's 'Bury What We Cannot Take'
      • East Bay Sea Serpents
      • Rakestraw Books' 45 year
      • Salt Craft restaurant
      • Norhtgate HS wins at Monterey Jazz
      • San Ramon utility box art
      • Rita Coolidge at Bankhead
      • Warrior's Unified Basketball Clinic
      • Concord Brewing Network
      • Kerri Shawn in 'Shirley Valentine'
      • East Bay Parkinson's advocate
      • Atmospheric scientist at Bankhead
      • Oates and Johnson at Laf lib
      • Author David Lukas 'Last Watchman'
      • Dr. Jill Biden speaks at EBWC
      • Diablo Foods in Lafayette
      • Kate Braverman's 'A Good Day for Seppuka'
      • Author Anne Raeff
      • EdTech Symposium
      • 'Until, Until, Until,...' at YBCA
      • Tri-Valley ice rinks
      • Kilbanes' 'Weightless" rock opera
      • Jewish Intnl. Film Fest opens
      • Ruth Bancroft Celebration of life
      • Author Eva Schloss
      • Stress reduction through diet
      • Gold Coast Chamber Players school visits
      • BAMPFA's Woodstock tribute
      • 'Long Way Home' at Livermore Reads
      • More women serving
      • '1776' at Bankhead
      • East Bay Regional Parks job fair
      • Charity Bike Institute
      • Danville Village Theatre's 'Wild'
      • 'Seed Vortex' at Bedford Gallery
      • William Noguera's death row memoir
      • Running With Love
      • Warrior's Jordan Bell
      • St. Mary's Jan Term
      • Bankhead's 'Best Face Forward'
      • Winter hiking
      • Latkes
      • 'Irish Christmas' at Bankhead
      • Danville's Santa's Mailbox
      • Model trains at Blackhawk
      • St. Mary's 'Across the Aisle'
      • DeSaulnier on tax bill
      • 'Thank you' to Tri-Valley art scene
      • Moraga sinkhole
      • 'Customer Experience'
      • Joyce Maynard's 'The Best of Us'
      • Teen Battle of the Bands
      • Painter John Tullis
      • Raising Resilient Girls
      • Blackhawk Gallery exhibit
      • Experience Burma Restaurant
      • Sustainable Enterprise Conf.
      • Author Barry Gifford's 'The Cuban Club'
      • Teens and social media workshop
      • Horsepower and Patriotism
      • Author John Green in Pleasanton
      • Lafayette's Reservoir Run
      • Author Daneille Wong
      • Joan Osborne sings Dylan
      • Walk for diabetes research
      • Girl Scout Troop's Bronze Award
      • Poetry duo at St. Mary's
      • 'Classroom Champions'
      • Abstract art by women
      • Pittsburg Entertainment & Arts Hall of Fame
      • Horses soothe dementia patients
      • Author Elizabeth Rosner's 'Survivor Cafe'
      • Artist Pallavi Sharma
      • "Pasquale' at Bankhead
      • American Indian culture at Bankhead
      • 22nd Lafayette Art & Wine Fest
      • 20th California Independent Film Festival
      • Annual Bay Area Pet Fair
      • Training immigrants to become baristas
      • Indigo Girls at Bankhead
      • New comedy series in Danville
      • Oakland Beast Crawl
      • East Bay CERT's emergency food
      • Sketching critters at Bedford
      • Zuppan-Hood at World Transplant Games
      • Non-violent activism
      • 18th Eugene O'Neill Festival
      • Warriors dancer audition
      • BEASTMODE-A-Business
      • Margaret Sexton's 'Kind of Freedom'
      • Retired teacher' still teaching
      • Senior Transportation in East Bay
      • Jill Biden at St. Mary's
      • Electric bikes on East Bay trails
      • Concord Japanese festival
      • San Ramon library jazz concerts
      • Lafayette Senior Symposium
      • Livermore's Casse-Croute
      • Cyclist rides for breast cancer
      • 'Halcyon Days' at Diablo Fine Art
      • Poet August Kleinzahler
      • JD Souther at Bankhead
      • 'Gentleman, Champion...'
      • 'Four Immigrants'
      • Art of Charles Howard
      • Wente's 'Midsummer' and 'Cyrano'
      • Bentley underwater robotics
      • Author Edan Lepucki
      • Faz Restaurant
      • 'Dynastic, Bombastic, Fantastic'
      • S.F. String Trio doe 'Sgt. Pepper'
      • Founders of Mendocino Music Festival
      • Festival Opera 'Sins' and 'Pagliacci'
      • Concord job fair for vets
      • Wry Crips Disabled Women's Theater
      • Pleasanton's Almare Gelato
      • William Blake collector
      • Walnut Creek Art & Wine Festival
      • Summer Reading
      • Documentary 'California Typewriter'
      • Director discusses 'California Typewriter'
      • Cornelia Nixon's 'The Use of Fame'
      • Las Lomas garden
      • 'Off the Shelf and On Stage'
      • Dublin's Mirchi Cafe
      • The Peace Center
      • Principal Elaine Frank retires
      • Acalanes district green teams
      • MomWarrior conference
      • Miss USA
      • College of Alameda Gospel Ensemble
      • Berkeley Jazz Ensemble
      • Lafayette 'Food Adventures'
      • Contra Costa Fringe festival
      • Pairings Cellars
      • O'Neill Foundation staged readings
      • Bankhead's 'Wine County Tales'
      • Love and Bipolar Disorder
      • Storm Large at Bankhead
      • Lamorinda ShortDocs Film Fest
      • Lamorinda Business Forum
      • 'Spontaneous Shakespeare'
      • Dublin's Pamir restaurant
      • St. Mary's forum on environment and energy
      • Los Medanos College Gospel Choir
      • Lafayette Earth Day Fest
      • DeSaulnier's town hall
      • Northgate H.S. jazz band
      • Corvette show at Blackhawk
      • Anita Hill at St. Mary's College
      • Arlo Guthrie at Bankhead
      • Popular vote change
      • 'Cork Dork'
      • 'Lean In' cofounder Hemmeter
      • Pura Vida Cocina Latina & Sangria Bar
      • Author Rebecca Solnit
      • SF Symphony exec leaving
      • Post Civil Rights and African American Church Music
      • Union and Fifth
      • 'Soul and Spice' at Dublin HS
      • Early aviation on West Coast
      • San Ramon's Brass Door
      • O'Neill drama workshop
      • Lunafest East Bay
      • 'Just Like a Woman'
      • Town Hall Theatre
      • Confronting global terrorism
      • Livermore Valley Opera's 'Figaro'
      • Author Jason Reynolds at libs
      • 'Brilliance' exhibit in Danville
      • Food banks under Trump
      • Author Yiyun Li's 'Dear Friend'
      • Opposition to Habitat for Humanity
      • College Park H.S. ceramics
      • International Guitar Night
      • Drones for public safety
      • T.J. Stiles at Berkeley library
      • De La Torre’s trattoria
      • Warm Winter Nights
      • Village Theatre 'Piano Lesson'
      • Creating a Peaceful School
      • St. Mary's 'Jan Term'
      • Richmond Art Center's "Living Black'
      • 'The Wrong Dog'
      • The Jazz Room
      • Dublin's Falafel Town restaurant
      • Livermore Valley Opera's new Artistic Director
      • Citizen Scientists
      • Pittsburg image up-date
      • On Fire Pizza in San Ramon
      • New Year, Adult Learning
      • 'We Gon' Be Alright'
      • Speakers at Bankhead
      • Olivia Newton-John
      • Orinda Theater 75th Anniversary
      • Danville Brewing Co.
      • Bedford's 'Cut Up/Cut Out'
      • Bicycle nonprofit
      • Holiday fun
      • Basque Boulangerie Cafe
      • Seva Foundation benefit
      • Costuming Center Rep's Christmas Carol
      • Saint Mary's Social Justice conference
      • Filming Peter Pan Foundation show
      • Nonprofit volunteers honored
      • 'Celebrating the Natural World' art show
      • Trout in San Pablo Creek
      • Preserving history digitally
      • Uncle Yu's restaurant
      • Berkeley Open Studios
      • Civil rights attorney Fred Gray
      • Poet Devorah Major
      • Service to God and Country
      • East Bay Holiday Train rides
      • Chef's Turkey Day
      • Role Player's 'Don't Drink the Water'
      • Congresswoman Barbara Boxer
      • Locanda Ravello restaurant
      • Family history searches
      • Author Natalie Baszile's 'Queen Sugar'
      • Cashore Marionettes at Firehouse
      • Jumping for fun and advocacy
      • 'Rebuilding Lives' after abuse
      • Author Divakaruni's 'Oleander Girl'
      • Author Dean Karnazes' 'Road to Sparta'
      • Mixology
      • Bankhead's 'In the Heights'
      • 'Flying Dutchman' at LVO
      • SMC panel: Millennials matter
      • Former policeman inspires teens
      • Author Richard Alameddine
      • Parsons Dance at Bankhead
      • Musician Marc Broussard at Firehouse
      • Berkeley idea fest 'Uncharted'
      • Michael Krasny on Jewish humor
      • Lafayette Art & Wine Festival
      • Elisa Kleven's 'Gingerbread Boy'
      • 17th Annual O'Neill Festival
      • Walnut Creek Library's 'One Book'
      • NorCal Kids Triathlon
      • Sunday Suppers
      • Running and reading in Danville
      • STEAM at libraries
      • Photographer opens gallery
      • Martinez crop swap
      • National Park Service symposium
      • Teacher's summit at St. Mary's
      • Singer Laura Michele
      • Residency program at Bankhead
      • Tony Furtado Trio at Bankhead
      • Las Trampas adults with disabilities
      • Sojourn to France
      • Cal Shakes' 'Fences'
      • Japan tour for jazz ensemble
      • 'Laura's Ride' fundraiser
      • Free summer movies and concerts
      • Travolta Film Camp
      • 'Tempest' at Wente
      • Carlos Reyes at Aegis
      • Tri-Valley Rep 'Mary Poppins'
      • Keltner's 'The Power Paradox'
      • WWII bombardier
      • Diana Ross, Jackson Browne at Wente
      • Host families for Pittsburg Diamonds
      • Cross-country biking for cancer
      • Emergency ham radio
      • Longtime Rheem teacher retires
      • 'Florence Nightingale: Live!
      • Citizen of the Year Kathleen Odne
      • Alameda County Fair
      • Medical Marijuana panel
      • Livermore Valley Performing Arts Center's new season
      • Walnut Creek Art & Wine Festival
      • Moraga schools start time
      • Livermore public art
      • Berkeley High Jazz Ensemble
      • Northgate High at 'Next Generation' jazz fest
      • Blackhawk Museum's Nora Wagner
      • Moraga 'Citizen of the Year' Judy Dinkle
      • Moraga Community Garage Sale
      • Band 'LK Project'
      • Wings of Freedom tour
      • Lafayette ComicFest 2016
      • Volmer's 'Reliance, Illinois'
      • Children's book illustrator Christian Robinson
      • "Common Ground' photo exhibit
      • Futures Films
      • Taste of Lafayette
      • Livermore Valley Film Fest
      • White Pony Express
      • Poet Gregory Pardlo
      • Defending the Caveman
      • Bay Area Storytelling Festival
      • Art Tag
      • Los Medanos College Gospel Choir
      • Cookbook Author My Nguyen
      • Frances Stroh's 'Beer Money'
      • Photographer Lisa Toby
      • Author Gary Soto
      • Challah making
      • The Empowerment Project
      • Bedford Gallery's 'Safe at Home'
      • SF Green Film Festival
      • Tom Steuber
      • ShortDocs Filmfest
      • Aspen Santa Fe Ballet at Bankhead
      • JFKU counselors-in-training
      • Quilter Sherri Lynn Wood
      • Japanese internment exhibit
      • Heart to Heart
      • Lunch and literature
      • Lamorinda Tri-Cities meeting
      • CG artist Adam Schnitzer
      • Bentley students go to Switzerland
      • Veterinarian Jamie Textor
      • Orinda Citizen of the Year
      • East Bay Intnl. Jewish Film Fest
      • Holocaust survivor Dora Apsan Sorell
      • Moraga singer with Autism
      • WW2 Vet receives Legion of Honor
      • Comedian Tim Lee at Bankhead
      • Pianist Larry Vuckovich
      • Author Nayomi Munaweera
      • Crucible's 'Hot Couture'
      • Jewelry designer in Moraga
      • BAM/PFA's 'In Focus'
      • Teen Violinist Jaclyn Thach
      • What's Up Downtown Orinda
      • Southern Cafe in Antioch
      • Robert Rezak
      • Author Roland Merullo at SMC
      • Classical guitarist Jason Vieaux
      • Morgan Fire recovery
      • LMC diverse hiring
      • Creating a Peaceful School
      • Worth Ranch restaurant
      • Blackhawk Museum
      • Berkeley Public Library
      • Coach Campanelli memiors
      • International children's film fest
      • Permculture workshops
      • Festival of Women Authors
      • Bankhead ukulele band
      • Green Ribbon Day
      • Beatles course
      • Bedford 'Superhero'
      • Bankhead's 'Pirates of Penzance'
      • Tattoo Dad
      • Canyon Elementary STEM
      • Crab feed health warnings
      • Author Catherine Armsden
      • Billy Joel tribute
      • Muffin People
      • Bookseller Marian Nielsen
      • Matches reunion
      • TIE
      • Vet receives Legion of Honor
      • Fiber Artist Melinda Tai
      • Pearl Harbor Vets
      • e-comerce
      • Contra Costa soldier in Afghanistan
      • Chitty, Chitty, Bang, Bang
      • Berkeley Artisans open studios
      • Lafayette traffic roundabout
      • Veterans invitational softball tourney
      • Pacific Chamber Symphony
      • Firehouse Quilts
      • California food system
      • Return of school music program
      • David Talbot's 'The Devil's Chessboard'
      • Berkeley Center for the Study of Religion
      • Contra Costa Open Studios
      • Dublin's new Great Harvest
      • San Ramon Chronicles
      • Discovery Day
      • Firehouse's 'South Pacific'
      • Drones: upside/downside
      • 'Great Immigration Debate'
      • Author Don George's 'Wanderlust'
      • Author Yeonmi Park
      • Bedford's 'BG Craft Fest'
      • Paula Poundstone
      • Lafayette Children's Book Festival
      • 23rd annual STAND!
      • Author Frances Dinkelspiel
      • Comedian Marc Yaffee
      • Artist Nancy Roberts
      • 'Spirit of India' at Bankhead
      • Litquake
      • Shevinsky's 'Lean Out'
      • Lego art at Bedford
      • Storyteller bookstore closing
      • St. Mary's creative writing program
      • Comedy contest at Bankhead
      • Moraga Pear & Wine Festival
      • CVCHS revises board membership
      • Monday Night Playground
      • Author Dan Siegel
      • Photographer Edward Burtynsky
      • The Black Diamond Follies
      • Walnut Creek's Walnut Festival
      • Delta Blues Festival
      • Northgate HS March-A-Thon
      • Jazz vocalist Spencer Day
      • 'Madama Butterfly' at Bankhead
      • Artist Ranjini Venkatachari
      • VetCon fair
      • Author Sue Grafton
      • Author Anil Ananthaswamy
      • 'One City One Book'
      • Ginny Golden, library manager
      • Buy one, give one
      • Scott Hovey, e911
      • Firehouse Arts Center's 2015-16 season
      • Bedford Gallery exhibit celebrates plant life
      • Tri-Valley writers summer camp
      • Ms. Wheelchair America
      • The Gardens at Heather Farm
      • Danae Mattes' art
      • Tanks for the comfy seating
      • Dave Newhouse's 'Founding 49ers'
      • Antioch physician retires
      • Death Cafes
      • Lafayette's MakerFest
      • O'Neill Festival
      • Concord umpire
      • Artist Tom Killion
      • Berkeley Panel for Book Inc. opening
      • Orinda woman is 'Born Survivor'
      • LVPAC's upcoming season
      • The 'Happy' side of Walnut Creek
      • Architect Chris Downey
      • Author Alex Dolan
      • Blind 4-H'er shows pigs
      • Read to the Rhythm
      • Eugene O'Neill expert Eric Hayes
      • Marrisa Moss' 'Amelia' ends
      • Faith in the digital age
      • Livermore Lab scientist's origami art
      • Bedford Gallery's 'Blow Up'
      • Cultivating an Attitude of Gratitude
      • Bay Area Book Festival
      • Geppetto's Cafe changes hands
      • Artist Jacob Hankinson
      • Lafayette rent control
      • Tess' Community Farm Kitchen
      • Art and Wine Festival, Walnut Creek
      • Smuin's Weston Krukow
      • Slopes of Diablo exhibit
      • San Ramon Art & Wind Festival
      • WC Library Foundation's Kristin Anderson
      • Bankhead Theater's "Hula Lives On"
      • Bay Area KidFest
      • CVCHS trustees resign
      • Home Brew Fest
      • Supporting injured soldier
      • Notes4Notes
      • Vietnam Vet Hero
      • John Muir's medical mission
      • Science Cafe
      • Independant living
      • Gospel Community Celebration Concert
      • Clayton Valley Charter School seeks board replacement
      • Simply Sinatra, Almost Elton John
      • Walnut Creek Int. Short Film Festival
      • What's In Your Hat
      • Carey Perloff and Jonathon Moscone
      • Bay Area Storytelling Festival
      • Adonal Foyle
      • Nobel Laureate John Mather
      • Musical prodigy Annie Wu
      • Google
      • Village Theatre "Mice and Men"
      • Aquanut
      • Cyber Safety for kids
      • Rev. James Lawson
      • "Mice and Men"
      • Marechal Duncan
      • Science Thought Leaders Night
      • Village Theatre Art Gallery "Lost and Found"
      • WW2 Jewish spy 'Behind Enemy Lines'
      • Margolin and Rinder on CA art
      • Amy Cheney's Write to Read
      • Firehouse Art Center
      • Author Garry Wills
      • Walnut Creek Library Foundation Author's Gala
      • Recycled Percussion
      • Cal Perf's Berkeley Talks
      • Author Michael Gazziniga
      • Growing Theater Audiences
      • Drum circle
      • Poetry Out Loud
      • Cypress String Quartet
      • Clayton Valley Charter HS investigation
      • Science Contest
      • UC's Yudof and Naplolitano
      • Gap Year
      • ClayStation 6
      • Earn & Learn East Bay
      • Sculptor Julee Richardson
      • Science on Saturday
      • Author Munaweera
      • Girls in STEM
      • She's Beautiful When She's Angry
      • Peaceful Schools
      • American Mosque
      • BART
      • STEM at Berkeley Rep
      • Reggae children's musical
      • Marquis Business Person of the Year
      • Museum of Art, St. Mary's
      • Mega Challah bake
      • Ex-con coffee
      • Swan Lake
      • World Series Trophy tour
      • Sip of Soup
      • Author Joseph Di Prisco
      • White Pony
      • Miss America Kira Kazantsev
      • Robert San Souci
      • Olate Dogs
      • Live action role play
      • Photographer Ding Hong Wu
      • Chef Cal Peternell
      • Louis Zamperini
      • Baker Frank Giovanni
      • Richard Pryor: book review
      • Author Jennifer Dodd
      • Robbie Rogers
      • Vanya Without Borders
      • Gianni's Italian Bistro for charities
      • Clayton Valley Charter High School
      • Jealous Curator
      • Livermore Valley Opera Amahl
      • Dancer Edward Stegge
      • Dolores Huerta
      • Google.Org
      • War Comes Home
      • Voices Against Brain Cancer
      • Good Grief Cooking
      • Karl Hedrick
      • Billie Jean King
      • Saving a life
      • Guinness World record?
      • Chip Hale AZ Diamondbacks
      • Preservation Hall Jazz Band
      • Sleeps with Dogs
      • Andrew Denman, Wildlife artist
      • The Elegant Bib
      • 'Hometown Hero' Tom Steuber
      • Bruce Cockburn
      • Bedford Gallery '100'
      • Domestic violence
      • Dr. Cornel West
      • Heyday Books
      • Loma Prieta earthquake: be prepared
      • Uncharted
      • Daniel Levitin: 'The Organized Mind'
      • Loma Prieta earthquake
      • 400 Things Cops Know
      • Author Reese Erlich: Syria
      • Mrs. Dalloway's Literary and Garden Arts
      • Salad Bar Project
      • Author Steven Pinker
      • Comedian Steele
      • Maya Lin
      • Ygnacio Valley High football under lights
      • Concord/Pleasant Hill Recycling Center
      • Berkeley Arts & Letters
      • Artist Geoffrey Meredith
      • CA Independent Film Festival
      • Author Marissa Moss
      • Veterinarian Camp
      • Lafayette Cell Towers
      • Recycling
      • Engineering Camp for Girls
      • Giants Baseball Camp
      • JFKU interns help troubled youth
      • The Iceman Cometh
      • Greywater
      • Olympian Heather Petri
      • Author John Fuller
      • Climber Hans Florine
      • Homeless
      • Lev Grossman
      • Mayor's cook-off
      • Hiroshima
      • Clay and Glass Exhibit
      • BAM/PFA topping out
      • O'Neill Studio Retreat
      • Town Hall looks at juvenile justice
      • A's Great Dave Henderson
      • Hospice nurse invention
      • Professor Brenda Hillman
      • Wildlife 'Encounters' app
      • Orinda Books
      • Bedford's "Skull Show"
      • Trapshooter Blake Fahmie
      • Atlas Lift Tech
      • Wireless Technology dangers
      • Creeks poisoned by runoff
      • Author Dr. Daniel Levitin
      • Last Midway Battle survivor
      • Clayton Valley Charter School Tension
      • Orinda Theatre Concert
      • Futures Explored 50th
      • Lafayette Balanced Budget
      • Christine Deane
      • Party Politics at Commonwealth Club
      • Comic-Con at OMCA
      • Clayton Valley Charter Band
      • Actor Bryce Pinkham
      • Author Nate Silver
      • Lafayette Commonwealth Club
      • Hometown Hero: Gil Gleasons
      • Moraga Citizen of the Year
      • Kristi Yamaguchi
      • Madeline Albright
      • High-altitude training
      • SHELTER Inc.: Generosity
      • Pixar: Catmull
      • Actress Embraces Shakespeare
      • Mt. Diablo Armchair Tour
      • Oscar Grant
      • Amy McClure: Art's Mystery
      • Bedford Gallery 'Sky'
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      • Best Music books of 2017
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    • East Bay Monthly >
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      • Cal Shakes new director, new season
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      • Kronos Quartet, The Cusp of Magic
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      • Local Lit | December
      • Homegrown chef opens Tribune brasserie
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      • Piedmont's Education Speaker Series
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      • Festival Opera
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      • Shop the Block | Valentine’s Day
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      • Nature journaling
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      • Noodles from Shan Dong
      • Orinda Books reading recs
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      • Joffrey Ballet returns to Cal Perf
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      • 'Violins of Hope' at Paramount
      • March Local Lit
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      • 'Gatz' at Berkeley Rep
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      • Violinist Axel Strauss at PCA
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      • Oakland Symph. holiday tribute to Aretha Franklin
      • Piedmont holiday shopping
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      • Oakland Symphony’s 'Notes from Korea'
      • Video Games Live at Cal Perf
      • Singer/songwriter Bruce Cockburn at Freight & Salvage
      • Actor Robert Townsend at the Marsh
      • David Sedaris at Cal Perf
      • November lit(erary) picks
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      • Mariinsky Ballet at Cal Perf
      • October's top five lit(erary) events
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      • Berkeley Rep's 'Great Wave'
      • Mark Morris at Cal Perf
      • Local Lit
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      • Peidmont East Bay Children's Choir in a new era/
      • Backstage at Berkeley Rep's 'The Good Book'
    • Bay City News >
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    • Other Publications >
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      • SMC course on lying
      • Yoga expanding
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      • Talking to kids about race
      • NYT's Ben Fountain at LLLC
      • Cal Shakes' 'Quixote Nuevo'
      • Author Gail Honeyman at Orinda
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      • 'Jesus Moonwalks the Missippi'
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      • Bell & Bunna's Books
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      • Vinyl's Vibrant Past
      • Berkeley Rep's 'Anarchist"
      • Google Smart Cars
      • Baryshnikov on Stage
      • Kronos Quartet
      • Turtle Island Quartet
      • Cellist David Requiro
      • Malcolm Gladwell
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Love It or Hate It: Musicians Come to Terms
​With Performing for the Camera

By Lou Fancher

​During the 12-month pandemic lockdown, the experiences of classically trained musicians performing for a camera instead of live audiences are strikingly prismatic. The portraits painted in conversations I’ve had with opera and jazz singers, pianist, drummers, electronic and string instrumentalists, and other performing artists in the field fill a broad spectrum. Their responses range from poetic to practical to pensive to feeling trapped-in-a-digital-prison and beyond.

Although their online awareness or level of expertise engaging with digital technology varied tremendously in March 2020 — and updates continue to demonstrate not all is equal when it comes to musicians performing, editing, and producing work digitally — the musicians all say their professional careers now and forever forward will consist of a hybrid of live and virtual performances.

In May 2020, pianist Allegra Chapman told me that turning her face to an audience was never before a part of her performance experience, or at least, it was rare. “I’m not an actor,” she said. “I don’t experience the music with my body in my expressions. Making my face look natural (for camera close-ups in a music video made before the pandemic with soprano Sara LeMesh as part of Chordless Duo), "is a huge challenge to me.” The music video has now screened at four film festivals and won the Best Music Video award at the Tokyo International Short Film Festival, a tribute to Chapman’s acquiring greater confidence and trust in her acting skills.

The same month, soprano Sara LeMesh reiterated Chapman’s point about adjusting facial and gestural approaches to suit the camera’s smaller-than-concert-hall scale for the project. Unlike Chapman’s slightly anxious reply, LeMesh seemed energized and enthused by working with sound engineer Matt Carr to record a video, and eager to learn about recording and editing programs like Sequoia, made by the German company Magix, and Carr’s Izotope RX7, a tool he used extensively for mastering.

Pianist Sarah Cahill in June 2020 was finding on-camera, livestreamed experiences uncomfortable. Artists overall, after reviewing recorded rehearsals or virtual performance sessions of themselves, told me their self-awareness and confidence were enhanced, instructed — or less positively, they felt intimidated, overly self-conscious, or inhibited. The liberation and spontaneous “que sera, sera” of live performance Cahill suggested — despite the availability of real-time, live-chat interactions with virtual audiences — could never be matched online.

And so it seems like a good time, as the pandemic continues to block live performances in all but a few socially distanced, outdoor shows, to revisit the topic of performing for the camera. Had novice video performers caught up with early adopters of digital technology? Did reluctant users such as Tulsa-based pianist Barron Ryan learn to love livestreaming? For performers like camera-savvy pianist Lara Downes, who several years prior to COVID-19’s devastating impact on live music performances had embraced video and the digital realm, did fresh insights occur? While synchronization barriers continued to stymie musicians when collaborating with colleagues around the world, had the situation improved? (“No,” was the universal answer.) And what role will video and film have when live performances re-commence — for solo artists, orchestras, chamber ensembles, as well as academic and training institutions?

Downes rated herself as “a musician with a camera” at the start of the pandemic and in early February 2021 calls herself “quite proficient on a never-ending scale.” She learned immediately to reconcile any wrangling against virtual presentations after an April 14 NPR Tiny Desk Concert scheduled for a recording session in Washington, D.C., was suddenly to take place in her home. “I had to do a rigorous process of letting go of what I had planned. It was choreographed for D.C., and abruptly, it was in my house. I just slid into a different thing. As soon as I made that adjustment, it felt kind of nice.”

Downes says the authenticity of livestreamed filming for digital platforms — her dog might walk through a sequence, for example — drops the artificial boundaries of performing onstage. Because she was already working with video, Downes had experience handling multimedia projects that reference the visual atmosphere around her music and often were collaborations with poets that include graphics. Even so, she has upgraded her sound and production equipment and says, “To have support for keeping our standards up has been hard for musicians. I like a challenge: Put a rock in front of me and I’ll push a rock. The emotionality of this, there’s a much deeper subtext for everyone. There are so many questions; it’s a hard time. I’m acutely aware of the range of human response to this.”

If Downes’s perspective is largely positive — she highlights that virtual performances reduce the formal aesthetics around classical music, encourage frequent, two-way communication with audiences and collaborators, and eliminate costly travel expenses while opening continent-spanning opportunities for interaction — pianist Ryan is less enamored.

“The most challenging aspect has been dividing my mind to be concerned with another major aspect of performance. Before, a concert was playing and then what I would say between the pieces, but now, it’s everything else. Is the sound level right? Is the video still going? It can be nerve-wracking when something goes wrong. You have a very finite amount of time where you risk losing people. It’s like adding running the lights and being an usher at the same time as you are performing when you’re in a concert hall. I find it harrowing, but that might be excessive ... OK, we can say that; it’s a fun word.”

What was not fun was what happened during Ryan’s first livestream. The video performance started 30-minutes late and the stream crashed when the image exceeded his bandwidth. “I finally figured out how to get it going in a lesser quality than I had anticipated,” he says. “I did the concert, and after, I emailed everybody who had purchased tickets and offered another concert the next week without pay, or a refund.” Out of about 150 tickets sold, only one person wanted a refund. Ryan says the generosity and support reinforced his hope that the demand for music would survive the pandemic. “If they can’t get it in person, they will watch, contribute, and even get a new skill set to find me online and purchase access.”

Despite feeling bolstered and valued by the lengths to which people will go to hear him play live online, livestreaming will not become a large part of Ryan’s work. For him, the in-person, real-time, musician-audience connection is a vital lifeline. “But putting together prerecorded videos, I will certainly do that. With those, I can do multiple takes, I can add other videos I’ve shot and then stream them together. I do plan to offer those presentations, if there’s a demand.”

Jazz vocalist Tiffany Austin calls herself “a reluctant intermediate,” when ranking herself as a video performer. She says the energy exchanged between the audience and performer during a live show is entirely lacking online, causing a big adjustment. “I tell myself it’s like performing at a school assembly where all the children have been told to be quiet. I’ve devised mental tricks like that to deal with the lack of response.” The novelty of doing a performance in a bathrobe or on a smart phone has long worn thin.

With gradual, grudging acceptance of long-term lockdown reality and wanting to stay in touch with people, she searches for the silver lining of virtual work. “I don’t want a bunch of videos shot on my phone to be the first entree into my art. I want people to see me properly: videos with great production and editing. I prefer to craft a set in a physical, musical space. I am the queen of the Luddites: I don’t like new technology, but since COVID-19 hit, you have to spend time on devices. It’s somewhat shaken off that reluctance to create digitally. That’s been beneficial.”

Asked if she will continue to expand her live performances with video projects in the years to come, Austin is doubtful. “Just setting up equipment onstage with the band is a part of the communion of making music. I anticipate I’ll be exhilarated by having the exchange with the audience again when we can go back to live performance. The smiles and interactions are galvanizing. With COVID, which is so isolating, it reminds us that music is interactive, communal.”

Austin says the power for musicians to “create their own gravity” online, independent of “traditional gatekeepers,” and evidence of music’s vital roles during the pandemic — as a balm, a vehicle for underscoring injustices, a rejuvenating source of unifying energy for everyone — is an equalizing, profound force and to be cherished.

Vocalist and composer Majel Connery, whose work skates easily within pop, jazz, electro, and classical-music arenas, sorely misses the vulnerability, energy, and “those moments when your whole body lights up onstage in a way it doesn’t on camera.” At the same time, she says, “It’s important to stress that over the past couple of decades, we’ve all become accustomed to social-media platforms, self-made videos, and YouTube channels. We’re all hybrids already.”

Reduced to performing in front of a camera in livestream shows, she’s realized making music communally and in-person is 100 percent critical to her well-being. “It’s a sad realization,” she admits. But while looking for a silver lining in the pandemic shutdown — or at least something to gain upon reflection — she finds several insights. Live chats during performance sessions can create that human-to-human buzz she craves while she’s unable to perform live; YouTube videos are her audience’s favorite streaming service and something she no longer ignores; having previously considered herself “a physical blunderbuss and quite a disaster,” she’s become more aware of her physicality and is discovering new ways to move beyond “steely stillness” to integrate “organic, intense, maybe even sexy dancing.”

Most ironically, Connery has recognized a social distancing she had begun to create even before COVID-19: “As an electronic musician, I was building a larger and larger wall of technology in front of me. It was technology placed between my body and the audience. I was erecting a barrier without realizing it.” In future, she plans to play the piano and sing, getting rid of the three synthesizers, a laptop, amplifiers, and multiple microphones. Experiments with controlled shouting, whispering, pounding rhythmically on her chest for long portions of a song, she says have produced a more embodied approach that she plans to bring to the stage and use while recording a solo album she hopes to release in the fall.

Connery predicts that having gained fluidity and understanding of video editing cuts, transitions, lighting, and “high-contrast camera perspectives that tell a story and don’t just linger on my face” will mean that virtual work will be “super integral” as she moves forward. She wants a handheld camera, control of the product ... but more than anything else, Connery wants to be back on real stages with real musicians and live audiences.

Returning to LeMesh and Cahill, the two musicians who in early 2020 expressed their fledgling reactions to performing for camera, their self-confidence has definitely increased. And not just on camera.

LeMesh says advancing her online skills has introduced subtlety and nuance. “I was taught to exaggerate my gestures and think of body language. With film, I enjoy the ability to look at a camera, raise my left eyebrow a millimeter and it represents the same thing as someone slouching onstage. It allows facial character work to be effective. The slouched eyebrow is more than just looking at somebody’s face. There’s intimacy in that closeness.” LeMesh believes for audiences, the digital format is like turning up the volume, especially for people who traditionally have been in the nose-bleed balcony seats. “It means the art form of opera might be even more meaningful on film. Certainly, film is here to stay,” she insists. As confidence in self-directing her video projects has grown, LeMesh envisions herself collaborating with designers to produce a film, choosing the repertory for videos, and occupying the “driver’s seat.”

“We’re all directing, without even realizing it,” says LeMesh. “Opera singers learn their music and have thoughts about it but defer to the director and conductor. Now, we have more agency in these virtual at-home projects. Do you trust yourself? That’s harder than just having your face on a camera.”

Cahill today rates herself as intermediate/experienced as a virtual performer. She’s learned to modulate her sound — pianissimo played in a large hall cannot be heard by someone 40 rows out, but online and magnified, it’s easily audible to everyone. Closeup camera shots still cause her to worry: Is the tag of my dress showing? Will someone question my hand positions? She avoids tight framing that amplifies her face and might exaggerate subtle, micro-expressions of passion, anguish, or rapture. Even so, she has gained appreciation for presenting her best physical self and expects it will translate as greater confidence when she’s able to return to the stage. Although strict about following protocols when filming streamed segments in near-empty concert halls, she dislikes but will endure the continued use of masks that obscure the keys when she looks down.

It’s touching when she mentions what she misses most about live performances. “We’re all putting up with this while we need to, but honestly, I miss hugging people! Even people I don’t know. Or doing things with composers and other musicians after a show. To go to the SF Conservatory now, it’s scary; double mask, hand sanitizers, a light comes on to start and there’s nobody there for response. I can’t wait to get back to playing concerts in person. Still, I can see video’s importance as documentation. A concert played on a local level can become something viewed around the world. I can see myself continuing some virtual projects.”

Appointed artistic director of Healdsburg Jazz Festival in September 2020, bandleader, composer, and bassist Marcus Shelby has spent the last six months in endless online conversations about programming, virtual music instruction, livestream performances, and more. The pandemic forced him to leap from digital novice to an average user of the format. “I had an iMac I hadn’t used since 2016. I dusted it off and I’ve created a whole Zoom room for the work I’m doing now,” he says.

Speaking broadly about his experience and also the stories he hears from musicians worldwide, Shelby suggests the pandemic slowdown allowed people to reflect, learn technology skills, and imagine songwriting, producing, presenting, performing, and teaching music in new ways. “For a lot of musicians, there’s pressure to always be gigging nightly. The pandemic has shifted that paradigm. We’ve had to learn how to make a living in music online. Now I teach on Zoom all the time. I’ll continue to do it long after the pandemic ends. Our whole programming, education, choirs, everything has been altered to be online. We’ve had to adjust and grow.”

One personal practice — online or live — Shelby says will never change. “Always play hard, even if there’s only one person out there. I remember a television broadcast of Branford Marsalis playing with Jeff Watts, Bob Hertz, and Kenny Kirkland. They were giving their A-game and there was no one in the club. When I’m performing on Zoom, I’m not thinking I don’t have to play hard or prepare for the gig.”

Reflecting on the thoughts of these artists who generously devoted time to speak with me, I find the most dangerous, loaded question remains unasked and yet to be answered: What do audiences have to say about viewing music performances online?

I can’t and won’t speak for others, but for me, I’m not always thrilled when the camera decides I have to watch a certain solo violinist or opera star when I’d rather be watching the timpani section or a member of the choir who appears sleepy or distracted by a costume. On the other hand, there is no ticket that affords access to be 10 inches from a string on Yo-Yo Ma’s cello when it bursts and shimmers like lightening against a dark backdrop.
​
Ultimately, virtual performances will never convey to me the human body’s elusive, intangible choreography when seen live, or carry the near-palpable energy as a dynamic performer meets my eye, or appears to, and the connection is felt in a way that can only be called electric. Which means that much like the musicians, this viewer’s experience remains prismatic and she can’t wait for musicians to once again be real, live, onstage.
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