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    • BAY AREA NEWS GROUP: Contra Costa Times, Oakland Tribune, San Jose Mercury News >
      • Ridwell recycles
      • Piedmont author Zapruder’s memior
      • Alameda’s Bay Area Music Program
      • Alameda filmfest features 'Jack has a Plan'
      • United Dumplings in Rockridge
      • Tech pioneer Roy Clay, Sr.
      • Author/poet Tess Taylor
      • Montclair safety ambassador program
      • Montclair’s Italian Colors restaurant
      • Author Orenstein's 'Unraveling'
      • Author Rue Mapp's 'Nature Swagger'
      • Oakland’s Montclair Library
      • Montclair gym CRUfit
      • Chabot space center’s creative director
      • Friends of the Pleasant Hill Library
      • Artist Stephanie Syjuco at BAMPFA
      • Veterans Day at USS Hornet
      • Piedmont Anti-Racism and Diversity Committee
      • Year-round Oktoberfest on Piedmont Ave
      • Author Pete Torrey's memior
      • El Cerrito’s new fire chief
      • Blind sculptor at Valley Art Gallery
      • Montclair's GGPBooks hosts author T J Reid
      • Acre Restaurant to open in Rockridge
      • 1619 Project creator Hannah-Jones at Lesher
      • AXIS Dance's ‘Adelante’
      • Lawton Dance's 'Farallonites'
      • Oakland Firesafe Council
      • Author Sexton's 'On the Rooftop'
      • Alameda musician Paul Kotapish
      • Planterday in Rockridge
      • Author Dabney’s ‘Year of the Plague Journal’
      • Montclair Beer, Wine & Music Fest '22
      • Cal's Alt Meat Lab
      • Rockridge Rock-N-Stroll fest
      • N. Oakland’s ‘Daughters of the Delta’
      • Oakland Fukuoka Sister City marks 60th
      • Head-Royce's robotics team competes
      • Bancroft Garden celebrating 50th
      • ‘Diet for a Small Planet’
      • Montclair train mural
      • Montclair actor in ‘Endlings’
      • USS Hornet: gala and Vietnam Vets
      • Dance: 'Voice Within'
      • Author Stokes' 'Remember Me Gone'
      • Crogan's celebrates St. Patrick's Day
      • Oakland’s Temescal park dispute
      • Maria Shriver at East Bay Women’s Conference
      • Oakland’s White Elephant Sale 2022
      • ​Alameda’s Time Released Sound
      • Oakland developer ‘Buzz’ Gibb
      • Contra Costa MLK ceremony
      • Oakland’s Pacific Boychoir Academy
      • Richmond zydeco accordionist Andre Thierry
      • Alameda’s Alley & Vine
      • Montclair Village Holiday Stroll
      • Ellie Koplan's 100 years
      • Lesher's Denison retires
      • Bringing up butterflies in Richmond
      • Chabot space center reopening
      • Burning Man art in Richmond
      • Architect/glass artist Winterich
      • CCCT's 'Our Town'
      • WC Lib talk "Broadway's Golden Age'
      • Piedmont Beautification Foundation
      • Richmond's Urban Tilth
      • Alameda's Chochenyo Park art installation
      • Alameda Comedy Club curing Covid
      • Arjan Flowers and Herbs
      • Piedmont Avenue’s Timeless Coffee
      • Piedmont’s League of Women Voters
      • Eyes In Sync
      • Oakland's Mountain Music
      • Montclair mural
      • First female Eagle Scout
      • 13 yr old valedictorian
      • Books for the Barrios
      • WC Bronco Baseball Academy
      • Women's Cancer Resource Cntr during Covid
      • Bay Area Book Festival
      • Oakland's '21 White Elephant Sale
      • Walnut Creek Chamber's new Pres.
      • Great Good Place for Books during Covid
      • East Bay Women's Conf. 2021
      • Artist Ezawa at Haines Gallery
      • Artist Lift Off project
      • ‘Deconstruction’ at Perlmutter Gallery
      • El Sobrante food-justice community center
      • Urban Park CleanUp
      • Photographer Collopy at Laf Lib
      • Oakland Symphony's Morgan on 2020
      • Piedmont church interim pastor
      • BAMPFA's new quilt curator
      • Non profit adapts to pandemic
      • Oakland photographer Andrew Paynter
      • Author Virginia Cowart
      • Piedmont Center for the Arts during covid
      • Pacific Edge Voices' new director
      • Alamo’s Luxe Hair during Covid
      • BAMPFA's new Film Archive Director
      • Hercules Cares
      • Bay Area Children's Theater adapts
      • Garden of Memory
      • Oakland's womens choir Kitka
      • USS Hornet will survive shutdown
      • East Bay Golf courses in demand
      • Worship during shutdown
      • Guitarist Stevie Coyle performs online
      • 'Grit' theme at 2020 EBWC
      • Piedmont’s Kehilla Temple
      • Oakland’s House/Full of BlackWomen
      • Wendy Burch Steel & Redwood in Berkeley
      • El Cerrito HS teacher Taylor passes
      • Dr. Christine Carter's 'New Adolescence'
      • "Elemental' at PCA
      • Carrie Lederer leaving Bedford
      • Youth vaping seminar
      • Berkeley Open Studios
      • DeSaulnier town hall
      • 'Elevada' at Shotgun
      • Singer-songwriter Natu Camara at Cal Perf
      • Lafayette Lib celebrates
      • UC BAMPFA’s chief Rinder
      • Poet Matthew Zapruder
      • Live @ the Library
      • ARM of Care
      • East Bay museums get out
      • El Sobrante's Soul Flower farm
      • Author Meredith May's 'Honey Bus'
      • Guns into Sculpture
      • Author Mary Ellen Butler
      • Authenticity at USS Hornet
      • 2019 Heart of the Home Tour
      • Joyce Carol Oates in Lafayette
      • Author Matt Richtel's 'Elegant Defense'
      • Esme Weijun Wang's 'Schiziophrenias"
      • Mimi Fox celebrating life
      • Author Devi Laskar's 'Atlas'
      • Pleasant Hill golfer John Scott Senz
      • Walnut Creek United Methodist anniversary
      • Author Markham on migrant students' needs
      • 'Altered States' at Bedford
      • Filmmaker Jafa's 'White Album'
      • Montclair's restaurant renaissance
      • Author Newhouse's 'Incredible Slip Madigan'
      • Author Adam Plantinga
      • Bedford Craft Fest
      • Author John Jay Osborne
      • Learning via PORTS in Alameda
      • 'Tastes Like Chicken"
      • Owen's 'Other People's Love Affairs'
      • YBCA's 'Bay Area Now' exhibit
      • El Cerrito's surveillance cameras
      • Author Lydia Kiesling's 'The Golden State'
      • Author Gortner's 'The Romanov Empress'
      • Paula West at Summer Jazz Fest
      • State teachers summit in Moraga
      • 'Raised in the Shadow of the Bomb'
      • Author Meredith Jaeger's 'Boardwalk Summer'
      • Photographer Peter Hujar
      • Michael Pollan turned on
      • Teller's "All the Ever Afters"
      • St. Mary's golf team
      • Author Peter Rubin's 'Future Presence'
      • Bay Point mural
      • Chen's 'Bury What We Cannot Take'
      • East Bay Sea Serpents
      • Rakestraw Books' 45 year
      • Salt Craft restaurant
      • Norhtgate HS wins at Monterey Jazz
      • San Ramon utility box art
      • Rita Coolidge at Bankhead
      • Warrior's Unified Basketball Clinic
      • Concord Brewing Network
      • Kerri Shawn in 'Shirley Valentine'
      • East Bay Parkinson's advocate
      • Atmospheric scientist at Bankhead
      • Oates and Johnson at Laf lib
      • Author David Lukas 'Last Watchman'
      • Dr. Jill Biden speaks at EBWC
      • Diablo Foods in Lafayette
      • Kate Braverman's 'A Good Day for Seppuka'
      • Author Anne Raeff
      • EdTech Symposium
      • 'Until, Until, Until,...' at YBCA
      • Tri-Valley ice rinks
      • Kilbanes' 'Weightless" rock opera
      • Jewish Intnl. Film Fest opens
      • Ruth Bancroft Celebration of life
      • Author Eva Schloss
      • Stress reduction through diet
      • Gold Coast Chamber Players school visits
      • BAMPFA's Woodstock tribute
      • 'Long Way Home' at Livermore Reads
      • More women serving
      • '1776' at Bankhead
      • East Bay Regional Parks job fair
      • Charity Bike Institute
      • Danville Village Theatre's 'Wild'
      • 'Seed Vortex' at Bedford Gallery
      • William Noguera's death row memoir
      • Running With Love
      • Warrior's Jordan Bell
      • St. Mary's Jan Term
      • Bankhead's 'Best Face Forward'
      • Winter hiking
      • Latkes
      • 'Irish Christmas' at Bankhead
      • Danville's Santa's Mailbox
      • Model trains at Blackhawk
      • St. Mary's 'Across the Aisle'
      • DeSaulnier on tax bill
      • 'Thank you' to Tri-Valley art scene
      • Moraga sinkhole
      • 'Customer Experience'
      • Joyce Maynard's 'The Best of Us'
      • Teen Battle of the Bands
      • Painter John Tullis
      • Raising Resilient Girls
      • Blackhawk Gallery exhibit
      • Experience Burma Restaurant
      • Sustainable Enterprise Conf.
      • Author Barry Gifford's 'The Cuban Club'
      • Teens and social media workshop
      • Horsepower and Patriotism
      • Author John Green in Pleasanton
      • Lafayette's Reservoir Run
      • Author Daneille Wong
      • Joan Osborne sings Dylan
      • Walk for diabetes research
      • Girl Scout Troop's Bronze Award
      • Poetry duo at St. Mary's
      • 'Classroom Champions'
      • Abstract art by women
      • Pittsburg Entertainment & Arts Hall of Fame
      • Horses soothe dementia patients
      • Author Elizabeth Rosner's 'Survivor Cafe'
      • Artist Pallavi Sharma
      • "Pasquale' at Bankhead
      • American Indian culture at Bankhead
      • 22nd Lafayette Art & Wine Fest
      • 20th California Independent Film Festival
      • Annual Bay Area Pet Fair
      • Training immigrants to become baristas
      • Indigo Girls at Bankhead
      • New comedy series in Danville
      • Oakland Beast Crawl
      • East Bay CERT's emergency food
      • Sketching critters at Bedford
      • Zuppan-Hood at World Transplant Games
      • Non-violent activism
      • 18th Eugene O'Neill Festival
      • Warriors dancer audition
      • BEASTMODE-A-Business
      • Margaret Sexton's 'Kind of Freedom'
      • Retired teacher' still teaching
      • Senior Transportation in East Bay
      • Jill Biden at St. Mary's
      • Electric bikes on East Bay trails
      • Concord Japanese festival
      • San Ramon library jazz concerts
      • Lafayette Senior Symposium
      • Livermore's Casse-Croute
      • Cyclist rides for breast cancer
      • 'Halcyon Days' at Diablo Fine Art
      • Poet August Kleinzahler
      • JD Souther at Bankhead
      • 'Gentleman, Champion...'
      • 'Four Immigrants'
      • Art of Charles Howard
      • Wente's 'Midsummer' and 'Cyrano'
      • Bentley underwater robotics
      • Author Edan Lepucki
      • Faz Restaurant
      • 'Dynastic, Bombastic, Fantastic'
      • S.F. String Trio doe 'Sgt. Pepper'
      • Founders of Mendocino Music Festival
      • Festival Opera 'Sins' and 'Pagliacci'
      • Concord job fair for vets
      • Wry Crips Disabled Women's Theater
      • Pleasanton's Almare Gelato
      • William Blake collector
      • Walnut Creek Art & Wine Festival
      • Summer Reading
      • Documentary 'California Typewriter'
      • Director discusses 'California Typewriter'
      • Cornelia Nixon's 'The Use of Fame'
      • Las Lomas garden
      • 'Off the Shelf and On Stage'
      • Dublin's Mirchi Cafe
      • The Peace Center
      • Principal Elaine Frank retires
      • Acalanes district green teams
      • MomWarrior conference
      • Miss USA
      • College of Alameda Gospel Ensemble
      • Berkeley Jazz Ensemble
      • Lafayette 'Food Adventures'
      • Contra Costa Fringe festival
      • Pairings Cellars
      • O'Neill Foundation staged readings
      • Bankhead's 'Wine County Tales'
      • Love and Bipolar Disorder
      • Storm Large at Bankhead
      • Lamorinda ShortDocs Film Fest
      • Lamorinda Business Forum
      • 'Spontaneous Shakespeare'
      • Dublin's Pamir restaurant
      • St. Mary's forum on environment and energy
      • Los Medanos College Gospel Choir
      • Lafayette Earth Day Fest
      • DeSaulnier's town hall
      • Northgate H.S. jazz band
      • Corvette show at Blackhawk
      • Anita Hill at St. Mary's College
      • Arlo Guthrie at Bankhead
      • Popular vote change
      • 'Cork Dork'
      • 'Lean In' cofounder Hemmeter
      • Pura Vida Cocina Latina & Sangria Bar
      • Author Rebecca Solnit
      • SF Symphony exec leaving
      • Post Civil Rights and African American Church Music
      • Union and Fifth
      • 'Soul and Spice' at Dublin HS
      • Early aviation on West Coast
      • San Ramon's Brass Door
      • O'Neill drama workshop
      • Lunafest East Bay
      • 'Just Like a Woman'
      • Town Hall Theatre
      • Confronting global terrorism
      • Livermore Valley Opera's 'Figaro'
      • Author Jason Reynolds at libs
      • 'Brilliance' exhibit in Danville
      • Food banks under Trump
      • Author Yiyun Li's 'Dear Friend'
      • Opposition to Habitat for Humanity
      • College Park H.S. ceramics
      • International Guitar Night
      • Drones for public safety
      • T.J. Stiles at Berkeley library
      • De La Torre’s trattoria
      • Warm Winter Nights
      • Village Theatre 'Piano Lesson'
      • Creating a Peaceful School
      • St. Mary's 'Jan Term'
      • Richmond Art Center's "Living Black'
      • 'The Wrong Dog'
      • The Jazz Room
      • Dublin's Falafel Town restaurant
      • Livermore Valley Opera's new Artistic Director
      • Citizen Scientists
      • Pittsburg image up-date
      • On Fire Pizza in San Ramon
      • New Year, Adult Learning
      • 'We Gon' Be Alright'
      • Speakers at Bankhead
      • Olivia Newton-John
      • Orinda Theater 75th Anniversary
      • Danville Brewing Co.
      • Bedford's 'Cut Up/Cut Out'
      • Bicycle nonprofit
      • Holiday fun
      • Basque Boulangerie Cafe
      • Seva Foundation benefit
      • Costuming Center Rep's Christmas Carol
      • Saint Mary's Social Justice conference
      • Filming Peter Pan Foundation show
      • Nonprofit volunteers honored
      • 'Celebrating the Natural World' art show
      • Trout in San Pablo Creek
      • Preserving history digitally
      • Uncle Yu's restaurant
      • Berkeley Open Studios
      • Civil rights attorney Fred Gray
      • Poet Devorah Major
      • Service to God and Country
      • East Bay Holiday Train rides
      • Chef's Turkey Day
      • Role Player's 'Don't Drink the Water'
      • Congresswoman Barbara Boxer
      • Locanda Ravello restaurant
      • Family history searches
      • Author Natalie Baszile's 'Queen Sugar'
      • Cashore Marionettes at Firehouse
      • Jumping for fun and advocacy
      • 'Rebuilding Lives' after abuse
      • Author Divakaruni's 'Oleander Girl'
      • Author Dean Karnazes' 'Road to Sparta'
      • Mixology
      • Bankhead's 'In the Heights'
      • 'Flying Dutchman' at LVO
      • SMC panel: Millennials matter
      • Former policeman inspires teens
      • Author Richard Alameddine
      • Parsons Dance at Bankhead
      • Musician Marc Broussard at Firehouse
      • Berkeley idea fest 'Uncharted'
      • Michael Krasny on Jewish humor
      • Lafayette Art & Wine Festival
      • Elisa Kleven's 'Gingerbread Boy'
      • 17th Annual O'Neill Festival
      • Walnut Creek Library's 'One Book'
      • NorCal Kids Triathlon
      • Sunday Suppers
      • Running and reading in Danville
      • STEAM at libraries
      • Photographer opens gallery
      • Martinez crop swap
      • National Park Service symposium
      • Teacher's summit at St. Mary's
      • Singer Laura Michele
      • Residency program at Bankhead
      • Tony Furtado Trio at Bankhead
      • Las Trampas adults with disabilities
      • Sojourn to France
      • Cal Shakes' 'Fences'
      • Japan tour for jazz ensemble
      • 'Laura's Ride' fundraiser
      • Free summer movies and concerts
      • Travolta Film Camp
      • 'Tempest' at Wente
      • Carlos Reyes at Aegis
      • Tri-Valley Rep 'Mary Poppins'
      • Keltner's 'The Power Paradox'
      • WWII bombardier
      • Diana Ross, Jackson Browne at Wente
      • Host families for Pittsburg Diamonds
      • Cross-country biking for cancer
      • Emergency ham radio
      • Longtime Rheem teacher retires
      • 'Florence Nightingale: Live!
      • Citizen of the Year Kathleen Odne
      • Alameda County Fair
      • Medical Marijuana panel
      • Livermore Valley Performing Arts Center's new season
      • Walnut Creek Art & Wine Festival
      • Moraga schools start time
      • Livermore public art
      • Berkeley High Jazz Ensemble
      • Northgate High at 'Next Generation' jazz fest
      • Blackhawk Museum's Nora Wagner
      • Moraga 'Citizen of the Year' Judy Dinkle
      • Moraga Community Garage Sale
      • Band 'LK Project'
      • Wings of Freedom tour
      • Lafayette ComicFest 2016
      • Volmer's 'Reliance, Illinois'
      • Children's book illustrator Christian Robinson
      • "Common Ground' photo exhibit
      • Futures Films
      • Taste of Lafayette
      • Livermore Valley Film Fest
      • White Pony Express
      • Poet Gregory Pardlo
      • Defending the Caveman
      • Bay Area Storytelling Festival
      • Art Tag
      • Los Medanos College Gospel Choir
      • Cookbook Author My Nguyen
      • Frances Stroh's 'Beer Money'
      • Photographer Lisa Toby
      • Author Gary Soto
      • Challah making
      • The Empowerment Project
      • Bedford Gallery's 'Safe at Home'
      • SF Green Film Festival
      • Tom Steuber
      • ShortDocs Filmfest
      • Aspen Santa Fe Ballet at Bankhead
      • JFKU counselors-in-training
      • Quilter Sherri Lynn Wood
      • Japanese internment exhibit
      • Heart to Heart
      • Lunch and literature
      • Lamorinda Tri-Cities meeting
      • CG artist Adam Schnitzer
      • Bentley students go to Switzerland
      • Veterinarian Jamie Textor
      • Orinda Citizen of the Year
      • East Bay Intnl. Jewish Film Fest
      • Holocaust survivor Dora Apsan Sorell
      • Moraga singer with Autism
      • WW2 Vet receives Legion of Honor
      • Comedian Tim Lee at Bankhead
      • Pianist Larry Vuckovich
      • Author Nayomi Munaweera
      • Crucible's 'Hot Couture'
      • Jewelry designer in Moraga
      • BAM/PFA's 'In Focus'
      • Teen Violinist Jaclyn Thach
      • What's Up Downtown Orinda
      • Southern Cafe in Antioch
      • Robert Rezak
      • Author Roland Merullo at SMC
      • Classical guitarist Jason Vieaux
      • Morgan Fire recovery
      • LMC diverse hiring
      • Creating a Peaceful School
      • Worth Ranch restaurant
      • Blackhawk Museum
      • Berkeley Public Library
      • Coach Campanelli memiors
      • International children's film fest
      • Permculture workshops
      • Festival of Women Authors
      • Bankhead ukulele band
      • Green Ribbon Day
      • Beatles course
      • Bedford 'Superhero'
      • Bankhead's 'Pirates of Penzance'
      • Tattoo Dad
      • Canyon Elementary STEM
      • Crab feed health warnings
      • Author Catherine Armsden
      • Billy Joel tribute
      • Muffin People
      • Bookseller Marian Nielsen
      • Matches reunion
      • TIE
      • Vet receives Legion of Honor
      • Fiber Artist Melinda Tai
      • Pearl Harbor Vets
      • e-comerce
      • Contra Costa soldier in Afghanistan
      • Chitty, Chitty, Bang, Bang
      • Berkeley Artisans open studios
      • Lafayette traffic roundabout
      • Veterans invitational softball tourney
      • Pacific Chamber Symphony
      • Firehouse Quilts
      • California food system
      • Return of school music program
      • David Talbot's 'The Devil's Chessboard'
      • Berkeley Center for the Study of Religion
      • Contra Costa Open Studios
      • Dublin's new Great Harvest
      • San Ramon Chronicles
      • Discovery Day
      • Firehouse's 'South Pacific'
      • Drones: upside/downside
      • 'Great Immigration Debate'
      • Author Don George's 'Wanderlust'
      • Author Yeonmi Park
      • Bedford's 'BG Craft Fest'
      • Paula Poundstone
      • Lafayette Children's Book Festival
      • 23rd annual STAND!
      • Author Frances Dinkelspiel
      • Comedian Marc Yaffee
      • Artist Nancy Roberts
      • 'Spirit of India' at Bankhead
      • Litquake
      • Shevinsky's 'Lean Out'
      • Lego art at Bedford
      • Storyteller bookstore closing
      • St. Mary's creative writing program
      • Comedy contest at Bankhead
      • Moraga Pear & Wine Festival
      • CVCHS revises board membership
      • Monday Night Playground
      • Author Dan Siegel
      • Photographer Edward Burtynsky
      • The Black Diamond Follies
      • Walnut Creek's Walnut Festival
      • Delta Blues Festival
      • Northgate HS March-A-Thon
      • Jazz vocalist Spencer Day
      • 'Madama Butterfly' at Bankhead
      • Artist Ranjini Venkatachari
      • VetCon fair
      • Author Sue Grafton
      • Author Anil Ananthaswamy
      • 'One City One Book'
      • Ginny Golden, library manager
      • Buy one, give one
      • Scott Hovey, e911
      • Firehouse Arts Center's 2015-16 season
      • Bedford Gallery exhibit celebrates plant life
      • Tri-Valley writers summer camp
      • Ms. Wheelchair America
      • The Gardens at Heather Farm
      • Danae Mattes' art
      • Tanks for the comfy seating
      • Dave Newhouse's 'Founding 49ers'
      • Antioch physician retires
      • Death Cafes
      • Lafayette's MakerFest
      • O'Neill Festival
      • Concord umpire
      • Artist Tom Killion
      • Berkeley Panel for Book Inc. opening
      • Orinda woman is 'Born Survivor'
      • LVPAC's upcoming season
      • The 'Happy' side of Walnut Creek
      • Architect Chris Downey
      • Author Alex Dolan
      • Blind 4-H'er shows pigs
      • Read to the Rhythm
      • Eugene O'Neill expert Eric Hayes
      • Marrisa Moss' 'Amelia' ends
      • Faith in the digital age
      • Livermore Lab scientist's origami art
      • Bedford Gallery's 'Blow Up'
      • Cultivating an Attitude of Gratitude
      • Bay Area Book Festival
      • Geppetto's Cafe changes hands
      • Artist Jacob Hankinson
      • Lafayette rent control
      • Tess' Community Farm Kitchen
      • Art and Wine Festival, Walnut Creek
      • Smuin's Weston Krukow
      • Slopes of Diablo exhibit
      • San Ramon Art & Wind Festival
      • WC Library Foundation's Kristin Anderson
      • Bankhead Theater's "Hula Lives On"
      • Bay Area KidFest
      • CVCHS trustees resign
      • Home Brew Fest
      • Supporting injured soldier
      • Notes4Notes
      • Vietnam Vet Hero
      • John Muir's medical mission
      • Science Cafe
      • Independant living
      • Gospel Community Celebration Concert
      • Clayton Valley Charter School seeks board replacement
      • Simply Sinatra, Almost Elton John
      • Walnut Creek Int. Short Film Festival
      • What's In Your Hat
      • Carey Perloff and Jonathon Moscone
      • Bay Area Storytelling Festival
      • Adonal Foyle
      • Nobel Laureate John Mather
      • Musical prodigy Annie Wu
      • Google
      • Village Theatre "Mice and Men"
      • Aquanut
      • Cyber Safety for kids
      • Rev. James Lawson
      • "Mice and Men"
      • Marechal Duncan
      • Science Thought Leaders Night
      • Village Theatre Art Gallery "Lost and Found"
      • WW2 Jewish spy 'Behind Enemy Lines'
      • Margolin and Rinder on CA art
      • Amy Cheney's Write to Read
      • Firehouse Art Center
      • Author Garry Wills
      • Walnut Creek Library Foundation Author's Gala
      • Recycled Percussion
      • Cal Perf's Berkeley Talks
      • Author Michael Gazziniga
      • Growing Theater Audiences
      • Drum circle
      • Poetry Out Loud
      • Cypress String Quartet
      • Clayton Valley Charter HS investigation
      • Science Contest
      • UC's Yudof and Naplolitano
      • Gap Year
      • ClayStation 6
      • Earn & Learn East Bay
      • Sculptor Julee Richardson
      • Science on Saturday
      • Author Munaweera
      • Girls in STEM
      • She's Beautiful When She's Angry
      • Peaceful Schools
      • American Mosque
      • BART
      • STEM at Berkeley Rep
      • Reggae children's musical
      • Marquis Business Person of the Year
      • Museum of Art, St. Mary's
      • Mega Challah bake
      • Ex-con coffee
      • Swan Lake
      • World Series Trophy tour
      • Sip of Soup
      • Author Joseph Di Prisco
      • White Pony
      • Miss America Kira Kazantsev
      • Robert San Souci
      • Olate Dogs
      • Live action role play
      • Photographer Ding Hong Wu
      • Chef Cal Peternell
      • Louis Zamperini
      • Baker Frank Giovanni
      • Richard Pryor: book review
      • Author Jennifer Dodd
      • Robbie Rogers
      • Vanya Without Borders
      • Gianni's Italian Bistro for charities
      • Clayton Valley Charter High School
      • Jealous Curator
      • Livermore Valley Opera Amahl
      • Dancer Edward Stegge
      • Dolores Huerta
      • Google.Org
      • War Comes Home
      • Voices Against Brain Cancer
      • Good Grief Cooking
      • Karl Hedrick
      • Billie Jean King
      • Saving a life
      • Guinness World record?
      • Chip Hale AZ Diamondbacks
      • Preservation Hall Jazz Band
      • Sleeps with Dogs
      • Andrew Denman, Wildlife artist
      • The Elegant Bib
      • 'Hometown Hero' Tom Steuber
      • Bruce Cockburn
      • Bedford Gallery '100'
      • Domestic violence
      • Dr. Cornel West
      • Heyday Books
      • Loma Prieta earthquake: be prepared
      • Uncharted
      • Daniel Levitin: 'The Organized Mind'
      • Loma Prieta earthquake
      • 400 Things Cops Know
      • Author Reese Erlich: Syria
      • Mrs. Dalloway's Literary and Garden Arts
      • Salad Bar Project
      • Author Steven Pinker
      • Comedian Steele
      • Maya Lin
      • Ygnacio Valley High football under lights
      • Concord/Pleasant Hill Recycling Center
      • Berkeley Arts & Letters
      • Artist Geoffrey Meredith
      • CA Independent Film Festival
      • Author Marissa Moss
      • Veterinarian Camp
      • Lafayette Cell Towers
      • Recycling
      • Engineering Camp for Girls
      • Giants Baseball Camp
      • JFKU interns help troubled youth
      • The Iceman Cometh
      • Greywater
      • Olympian Heather Petri
      • Author John Fuller
      • Climber Hans Florine
      • Homeless
      • Lev Grossman
      • Mayor's cook-off
      • Hiroshima
      • Clay and Glass Exhibit
      • BAM/PFA topping out
      • O'Neill Studio Retreat
      • Town Hall looks at juvenile justice
      • A's Great Dave Henderson
      • Hospice nurse invention
      • Professor Brenda Hillman
      • Wildlife 'Encounters' app
      • Orinda Books
      • Bedford's "Skull Show"
      • Trapshooter Blake Fahmie
      • Atlas Lift Tech
      • Wireless Technology dangers
      • Creeks poisoned by runoff
      • Author Dr. Daniel Levitin
      • Last Midway Battle survivor
      • Clayton Valley Charter School Tension
      • Orinda Theatre Concert
      • Futures Explored 50th
      • Lafayette Balanced Budget
      • Christine Deane
      • Party Politics at Commonwealth Club
      • Comic-Con at OMCA
      • Clayton Valley Charter Band
      • Actor Bryce Pinkham
      • Author Nate Silver
      • Lafayette Commonwealth Club
      • Hometown Hero: Gil Gleasons
      • Moraga Citizen of the Year
      • Kristi Yamaguchi
      • Madeline Albright
      • High-altitude training
      • SHELTER Inc.: Generosity
      • Pixar: Catmull
      • Actress Embraces Shakespeare
      • Mt. Diablo Armchair Tour
      • Oscar Grant
      • Amy McClure: Art's Mystery
      • Bedford Gallery 'Sky'
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      • Best Music books of 2017
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    • East Bay Monthly >
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      • Cal Shakes new director, new season
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      • Kronos Quartet, The Cusp of Magic
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      • Local Lit | December
      • Homegrown chef opens Tribune brasserie
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      • Piedmont's Education Speaker Series
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      • Festival Opera
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      • Shop the Block | Valentine’s Day
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      • Nature journaling
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      • Noodles from Shan Dong
      • Orinda Books reading recs
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      • Joffrey Ballet returns to Cal Perf
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      • 'Violins of Hope' at Paramount
      • March Local Lit
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      • 'Gatz' at Berkeley Rep
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      • Violinist Axel Strauss at PCA
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      • Oakland Symph. holiday tribute to Aretha Franklin
      • Piedmont holiday shopping
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      • Oakland Symphony’s 'Notes from Korea'
      • Video Games Live at Cal Perf
      • Singer/songwriter Bruce Cockburn at Freight & Salvage
      • Actor Robert Townsend at the Marsh
      • David Sedaris at Cal Perf
      • November lit(erary) picks
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      • Mariinsky Ballet at Cal Perf
      • October's top five lit(erary) events
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      • Berkeley Rep's 'Great Wave'
      • Mark Morris at Cal Perf
      • Local Lit
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      • Peidmont East Bay Children's Choir in a new era/
      • Backstage at Berkeley Rep's 'The Good Book'
    • Bay City News >
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    • Other Publications >
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      • SMC course on lying
      • Yoga expanding
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      • Talking to kids about race
      • NYT's Ben Fountain at LLLC
      • Cal Shakes' 'Quixote Nuevo'
      • Author Gail Honeyman at Orinda
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      • 'Jesus Moonwalks the Missippi'
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      • Bell & Bunna's Books
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      • Vinyl's Vibrant Past
      • Berkeley Rep's 'Anarchist"
      • Google Smart Cars
      • Baryshnikov on Stage
      • Kronos Quartet
      • Turtle Island Quartet
      • Cellist David Requiro
      • Malcolm Gladwell
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Has Anything Changed? Local Opera Luminaries Respond

By Lou Fancher

​Gale-force winds of change have shaken society over the last few years, touching along their path virtually every arts organization. First, the #MeToo movement and protests in response to sexual abuse opened many eyes to harsh realities. This in turn led to revelations in the world of classical music, dance, and — perhaps most notably — opera during 2019, when there was public airing of the dirty laundry list of long-known sexual harassment and abuse performed predominantly (but not exclusively) by well-known male opera stars and orchestra conductors — abuse habitually muffled into dim rumblings by major companies and arts organizations.

Then the overwhelming force of the pandemic touched lives in ways that were unthinkable two years ago, impacts followed closely by the maelstrom of responses to social-justice atrocities and the Black Lives Matter protests that pierced our lives during 2020.

The aftermath of this ongoing upheaval and the resulting whirlwind of promises to change policy, company culture, and organizational leadership in the arts prompted a basic question about how the world might be different now for those in the performing arts.

Looking specifically at the world of opera, we contacted five outspoken voices in the local opera scene: soprano Michele Kennedy, mezzo-soprano Nikola Printz, Opera San José Resident Director Tara Branham, soprano Maya Kherani, and soprano Shawnette Sulker. These five cis-female, trans, or nonbinary vocalists — basically, five artists who do not identify as male —responded to a simple three-word question: Has anything changed?

The musicians’ responses to this question in no way form a harmonic monolith, but consistent themes emerged from the separate interviews. None of the artists reported any harassment or assault on the job, although of course, there is often reluctance to go on record about these experiences. Choosing to respond in different ways, all of them have endured gender-based micro-aggressions in the workplace and report knowing many colleagues who have suffered or currently suffer oppression at the hands of well-known abusers.

Notably, the five artists deliver a unified message when asked about taking charge of their careers, an issue made critical during the pandemic when they experienced cancellations, postponements, loss of income, and other turbulence. All of them have spoken up publicly and virtually on matters of systemic race and gender bias, especially the need for inclusion of various viewpoints and identities both onstage and in arts administration. .

All of the artists founded unique collaborations and initiatives during the pandemic shutdown used the pause period for reflection or career development, and in one case, becoming a mother.

When asked what message they would most like to deliver to the men holding power in arts organizations today,  Kennedy gave a two-part answer: “What I most want heard is this: Ask women about our experience. Then be quiet and listen. That’s my concise response.

“My more in-depth answer is a parallel to my experience as a person of color in response to the worldwide reckoning on race relations, historic trauma, and discrimination and the impact it’s had on Black communities. In that world, there are two forces: a growing effort to center the voices of color and cultivating an awareness around racism and antiracist practices. But when you conflate and confuse those two, you create danger. Suddenly, the onus is put on artists of color to do the psycho-social work [of healing or changing the landscape]. Do they need to do part of the work? I believe they need to do the lion’s share of the work. Do we ask women to shoulder the burden of testifying and also be the source of mending the wounds? Race relations are the same as gender relations. Folks who have privilege built into their role, the more they can show up, ask questions, listen, take initiatives, the more we can get done.”

Printz says, “I’d like for them to do the work of educating themselves, not putting the onus on someone else about how to adequately involve marginalized people. Hire women of color, trans people. Put them on your board, in your company. Opera San José has great hiring and casting practices and a mission to center the company around the artists. Hire diverse people. It’s that simple.”

Branham’s opinion is similar: “We’re all personally responsible for reducing our reliance on dominant power structures. Every movement and hope for change has to be operating on three levels: centering the impacted — women, disabled, BIPOC, anybody marginalized,” she emphasizes. “Second, a dismantling of what we’ve known, which is the responsibility of the power structures and people who dominate or benefit from it. Then, there are the people who are building something on their own. It might be a company that produces works by women, but it’s not something I’m seeing broadly yet. Who will come in and say they’re going to do something totally differently? We have to do these three ideas if we expect changes to happen. We can tear down a structure, but what will replace it?”

Kherani harks back to Kennedy “I wish more women and POC were in position of leadership. Maybe step aside and let someone else take your spot.’ Power has to be relinquished for it to be assumed by a marginalized community. It’s not a straight win/lose zero-sum game were the net change is zero for all.”

Sulker gives a global perspective: “It’s hard to open people’s eyes when society is set for them to not have to think about people who are not in a privileged state. How do you get people to even want to look deeper and see the plight of people not in their position? There seems to be resistance and excuse-making from people of privilege. You can appeal to their humanity, to imagine and educate themselves about racial and economic injustice, but I don’t know how you get someone to engage who doesn’t want to. For the ones who do want to engage, I challenge them to think about what it would be like to be born in a non-white, [non] cis-gendered body. When you think about other people and how they’ve been shaped, it can open eyes, start empathy.”

A Year of Opportunities
During the first three months of the pandemic lockdown, Sulker says she was “in a shocked place.” She used the downtime to study with a teacher remotely, smooth her technique, deepen her rehearsal practices and technical skills. “I’m not a sound engineer now, but I had to buy a microphone and figure out how to make audio recordings and look at lighting to figure out what makes a good video. Online auditions and online concerts: I learned editing and skills for those. For a long time, I thought the right agent was key and would free me up to focus on music-making and my art. I realized I had enough of my own contacts. I could advocate for myself, negotiate contracts. The more I’ve done it, the more I’ve felt I’m honoring what I’m worth and the years of practice and diligence I have engaged in to be better at my art.”

Kherani reported, “My biggest stride was becoming a mother. My daughter is almost seven months. It happened because we had to take that mandatory pause. I’m grateful I had that time to set my career aside and have a baby.”

Even so, with the internet age and social media so prevalent and branding in the hands of artists, Kherani honed and strengthened the persona she presents online. “No one really presents a true picture because it’s curated. You don’t broadcast your whole life; it’s just a representation. I try to be as authentic as possible and express the values I hold as most important, which are diversity and accessibility for the arts — especially opera that everybody views as elitist. By diversity I mean racial, ethnic, socio-economic, and female empowerment. Opera is steeped in this colonial mindset; run by white men. Uplifting the voices of women, BIPOC singers — I don’t shy away from that. I believe opera is for all. I think women singers are afraid to talk about that because it could blow back on their careers. We don’t want to be seen as [people who are] difficult to work with, who [don’t] fit the mold. They don’t want you to talk about race and gender when it comes to the arts: If I brand myself as a woman of color, maybe they won’t see me as the lead singer. If I highlighted that part of me, I used to think that’d make me harder to cast. I no longer feel that way and now I speak out on that. I decided to talk openly because I am a storyteller and if I can’t speak up, what’s the point?”

Branham says she was fortunate in that she was aware and involved with the BLM movement after the shooting by a white police officer of Michael Brown in 2014. “I said to myself ‘of course this had not changed in 2020.’ It included my going to marches, standing outside police stations when my friends were arrested. I think activists are more ready to easily mobilize since the death of Michael Brown and the founding of the BLM movement. I want organizers to lead their communities and I’m a supporter of them inside organizations and rehearsal rooms that expand opera with new rehearsal processes, racially informed casting, new stories explored through the lens of artists who lived them and not by default by white artists.”

Similarly, Printz says, “I’ve been going to Black Lives Matter protests and marches way before this past year. Activism has been important to me my whole life, so I guess seeing other people who normally didn’t center activism in their artistic lives made me feel a collective anger. Taking agency of my career has made it easier for me to advocate for myself. It has not made me more calm and serene. It’s made me upset with the system that has been failing for so long. It has empowered me to use my voice in a more declarative way.”

Although empowered, Printz admits, “It is incredibly difficult. I have to pay rent. I take gigs where I say it’s a paycheck and I can do it. I’m getting to a point where I can say yes to things that bolster my artistic integrity and no to things that don’t. The pandemic has shown me we can be our own producers. I learned Final Cut Pro [video editing software]: I can make works and I don’t have to ask permission to do so. I have a hefty balance between doing stuff you want and stuff you have to do. There’s joy in finding gigs you normally wouldn’t do. I might not gravitate to Mozart, but it keeps you healthy to do it. It teaches you how to use your voice, how to navigate your passaggio.”

Kennedy launched — and launched herself into — a number of projects during the pandemic. Aside from learning DIY recording audio, she became the co-director of the Open Gates Project, a new early music concert series featuring artists of color; joined forces with the Kaleidoscope Ensemble, a vocal group made up of early and new music specialists jointly focused on artistic excellence, representation, and mentorship; centered her programming for appearances more on women and marginalized people across genres and eras (she mentions a virtual performance pairing Florence Price’s Sunset with Handel’s “I Know That My Redeemer Liveth” from The Messiah, and Bonfa’s Bossa Nova setting of Manhã de Carnaval sung with Baroque instruments), among other endeavors.

“The #MeToo movement was a powerful and potent thing,” Kennedy says. “It was a shorthand for the collective realization that misogyny is sewn into the history of our country. My upbringing has always been feministic, but over the past 10 years what has shifted for me is the urgency of celebrating women’s voices and the voices of other marginalized people. I have had time to think. How do I adapt through the portal of the pandemic? What is the focused place that’s most meaningful? How do I forge dialogue across centuries as a specialist in early music? I’ve decided it’s centering on women’s voices across the ages, which for me is pretty new.”

Looking Forward
As the coda for each interview, the musicians were asked to cast future visions, share hopes, or foreshadow plans that might diversify the field of opera.

Kennedy plans to talk more often with living composers and librettists in a practice that will always include much-loved Baroque-era repertory but seeks to interweave contemporary channels. Printz, who uses they/them pronouns, says it might surprise some people, but they most hope in the near future to perform Salomé. “She’s a powerful theme. I like the role because it’s terrifying to people. She makes love to a severed head after doing a strip tease. It’s an allegory for a girl coming into her first sexual desires, among other themes. It encapsulates how terrified men can be of feminine power. That’s why it’s cool to me. You’d expect me to say pants roles, but I choose to portray women who are powerful and represent more than just women. They represent autonomy, the gruesome nature of man.”

Branham says she has “absolutely” turned down jobs because she knows someone involved with the job is an abuser and is not getting the help they need. “Because we fixate on who is to blame, we’re not creating pathways for harmers and abusers to regain access. What does restorative justice look like in the nonprofit opera world? If a work doesn’t center women, I won’t go or I’ll walk out. I’ll be asking about casting, season selection, who’s behind the table on the production staff? And why is no one who’s BIPOC on the staff when it creates a difference of thought to have diversity? When there are five sides presented, not two, it’s not one or the other, and diversity is achieved.” Branham says she can help predominantly white or cis-male-lead organizations to see where gender bias and white supremacy is happening without their awareness. “Then after awareness, we have to be taught how to act differently. I take an aggressive stance and say because I was born in America and not BIPOC, I must practice antiracism every day. It’s a daily journey.”

Maya Kherani Kherani believes audiences hunger for operas in which roles are portrayed by singers of the right ethnic background. As an Indian American, she brings a lived experience as a child of immigrants and representation as someone who is not white. “Why does representations matter? We all want to be seen, to be validated, to relate to a story, feel kinship, feel relevant because our life is onstage. If you’re a minority represented onstage, your story matters. For the white audience member seeing a minority onstage, you can think the person doesn’t look like you but you relate to the story. It’s the purpose of art: to have different sizes, ages, cultures, races, genders, and other diverse backgrounds onstage.”

Sulker positions opera’s blend of singing, acting, dancing, and high production values as “the perfect art for innovation.” Just because the #MeToo movement had people being jailed, losing their jobs, and being held accountable, Sulker insists, doesn’t mean harassment and abuse are gone. “One situation I can’t get into in detail involves sexual intimidation coming from someone in power who represents themself as understanding these issues. Whenever you put a spotlight on something, if it’s not a complete shift, it won’t disappear. We’re going to have to keep our voices loud and strong. It’s going to take time to make major change.”

These five voices from the world of opera speak with strength, but it is the echo that matters most. Long after the musical story is told in words, one question must continue to be asked: Has anything changed?
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